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And while it’s a thrill to see Bardem - who maintains a slow burn for most of the film’s two hours - finally explode in the final act, it’s too little, too late.Īs far as movies about corporate wheeling and dealing go, “The Good Boss” is, in some ways, better than the epic mess that is “ He’s like a mid-level godfather, with a superficial benevolence that may hide something more sinister.īut the central metaphor of scales and justice is pretty heavy-handed. He convincingly projects an entrepreneur’s weariness and practicality, as well as his thirst for power. In Bardem’s Blanco, you can still see a touch of the Bond villain beneath theĬEO, even as the actor works hard to give his character some gravitas. But like a penny-pinching supervisor, “The Good Boss” is stingy with its resources. And that attractive appendage is about to throw Blanco’s scale out of whack.Īll this has the potential for juicy corporate intrigue. Think about it: She’s taller than average, sticking out like, well, a sore thumb. He’s missing deadlines as a result.Įven the one bright spot in this increasingly asymmetrical environment may be a warning sign: Blanco himself has become fixated on a pretty intern (Almudena Amor). On top of that, Blanco’s longtime head of production (Manolo Solo) is distracted by his wife’s infidelity with another factory employee. How much can go wrong with a scale? Well, recent layoffs have driven one disgruntled employee (Óscar de la Fuente) to camp out on public land in front of the factory in protest.
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But for a number of reasons, his equilibrium is in danger - and just when a committee is coming to consider him for one more award. Thanks to a finely tuned and reliable product, the silver-haired Blanco has earned a wall full of industry awards. But despite a plot full of backstabbing and infidelities, the movie is just that: a machine. For the most part, it runs like a well-calibrated machine. That gets to the heart of the problem with this managerial melodrama from Spanish writer-director Fernando León de Aranoa. If this vintage scale, a symbol of his business, is uneven, what does that say about the way he runs the place? On the other hand, doesn’t a little imbalance make the world go round? Blanco’s firm, you see, specializes in industrial measuring devices: the kind used to weigh cattle, for instance.
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